Woad Processing Oct 2021

It’s been a long time since I’ve done any Woad processing – or growing. Two years of drought wiped out my front yard patch. One of my fellow SoCal Handweavers guildmates gave me some starter plants that you see in the lower left.

This is following the excellent directions from http://woad.org.uk/html/woad_pigment.html .

Woad plant as of October 2021
Woad plant, Oct 2021
Woad plant after trimming leaves to process
Woad plant after trimming some of the leaves to process.

I trimmed leaves from the larger plant which yielded 71 grams (2.5 oz) of fresh leaves.

Woad leaves to be processed
Chopped for processing

Following the directions for extracting Woad from http://woad.org.uk/html/woad_pigment.html steeped the leaves, added some Soda Ash.

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The Soda Ash to make the steeped leaves more alkaline, over pH 9. The introduced oxygen to by running a mixer for about 10 minutes.

Next let it settle – blue at the bottom is the dye.

Pour out or use a turkey-baster to pull out some of the water and replace with more clean water, letting the powder settle to the bottom of the container.

clearner woad sludge
woad sludge “cleaned”

After about 3-4 days of clearing out the water and replacing with clean.

woad powder
woad powder

Let the Woad sludge dry out till only powder is left.

woad powder
woad powder

So, 71 grams of fresh leaves (2.5 oz) yielded 0.2 grams (0.01 oz). This may not sound like much but keep in mind this was from a few leaves trimmed from one young plant.

Also, I find this kind of process easy to do before and/or after work. Picking some leaves ever couple of weeks and processing that adds up.

Again see the excellent directions from http://woad.org.uk/html/woad_pigment.html .

Initial description and references

March 2016 Weld and Woad

Weld plant, March 2016
Weld plant, March 2016

This Weld plant popped up nearby so I put the bricks around it – my universal marker for this-is-not-really-a-weed-dont-pull-or-stomp-on.  With any luck this one will have the tenacity to survive the current drought conditions.

woad_2016_march.jpg
Woad in yard, March 2016

This is the surviving Woad plant from last year.

Bubblegum Pink

Madder on Pearl Cotton
Madder on Pearl Cotton

I recently found a cone of white pearl cotton at a local thrift shop. The obvious thing of course was dye experiment. The usual oxalis and onion, woad overdye attempts were lighter than I’d like but sometimes that happens. (Noted the fiber weight and ratio for future attempts or avoidance.)

IMG_20150818_082149696

Then the incident with the Madder.

I’ve always been a sort of no-pastel zone when it comes to clothes or anything that involves color. In particular I dislike pink. So, imagine my surprise at finding a pot full of pink pearl cotton. I even tried longer soaking times – up to a week, adjusted the strength and still pink.

So I have pink yarn. Either it will be dunked in woad at some future or it will be a scarf for someone who does like the color.

Why I Don’t Like the Word “Natural”

From the LA Times, “Why ‘Natural’ Doesn’t Mean Anything Anymore

“Natural” and the definitions of that word have been on my mind lately. I’m taking my first, bumbling steps at teaching a dye plant workshop and while my description would be “vegetable dyes” everyone seems to be calling it “natural dyes”.  And yes, this does involve working with plant based dye materials that occur in nature, I find the term “natural” kind of misleading or at least confusing.

“Natural dyes” seems to imply methods that are safer, non-polluting, better for the environment, etc. As the kids say, Not. Or at least not necessarily. From what I’ve read on the subject it appears that dye work was often a pretty nasty, polluting industry. Supposedly in time of Elizabeth I (England) the dyers had to work some specified distance from town because of the stench. Remember the stale urine for indigo?

Chemical additives – mordants, however “natural” in origin were often poisonous for the dyers and polluted water sources that material was dumped into. Which is not to say one can’t use mordants safely but with the same safety practices and precautions one would use with synthetic dyes.

Aren’t natural dyes safer than synthetic dyes?: Paula E. Burch, Ph.D. ( Her All About Hand Dyeing is an excellent dye resource.)  In this (web) article Burch points out that “..Some natural dyes are almost perfectly safe; others are quite toxic. Some synthetic dyes are safe even to eat; others are too toxic to bring into your home. ”  Know what you are using and how to use it safely.  Respect your materials.

Also see: Natural vs synthetic: from Dharma Trading Co.

Although I’d like think I know how to handle mordants safely, I do work at home, in my kitchen and don’t live alone (other people, animals) so I prefer not to use anything stronger than Alum (potassium aluminum sulfate) and Tartar. (I used to use Copper and Iron but phased that out a few years ago.)
whiteToGray.jpg  yarn02.jpgWith wool I manage color range by using white, lite, medium and dark sheep gray from Bartlett Yarns. The only other fiber I work with is cotton and I’m trying out using white, brown and green cotton for the range but that is still in the we’ll-see phase.