January is when the Oxalis starts it’s annual invasion. As annoying as it can be – taking over the garden – it’s still my staple for yellow dye and a favorite with local bees. I let the bees have at it in the morning and pick after. By the time it starts dying off I’ll have a good supply of dried oxalis, enough for myself and to give away to other dyers.
About the Woad. I haven’t written much about Woad since there hasn’t been any for awhile. Woad is not a desert plant. (Pause for a moment of duh.) My area of southern California is what some may call “reclaimed desert”. Something you can forget until the car breaks down in the San Fernando Valley in July and there is your reminder.
Two years of drought wiped out whatever Woad I still had growing. But, I still have seeds from the last plant so I’m going to try again this year. Nothing of course can wipe out Oxalis. And the bees like it.
My other on-going project will be mordanting cotton following the method described in John Liles ‘Art and craft of natural dyeing”. Lots of scouring, soaking and then mordanting, more steeping, more soaking and then you get to the actual dying.
I’m a craptacular blogger. I just realized I haven’t posted in over a year. What I have done however is install my own local WordPress. With only one call to the kind people at Pair Networks Tech Support.
It will be the usual mix of plants, cats, dye projects with painting and print making tossed in.
Ida Grae points out that most cooking herbs will produce yellows. If I can eat or use something as a medicinal I tend not to dye with it but the Rosemary here is so plentiful it’s worth trying. Same probably goes for Lavender but I haven’t tried that yet.
*Ida Grae / Nature’s Colors: Dyes from Plants, 1979.
This Weld plant popped up nearby so I put the bricks around it – my universal marker for this-is-not-really-a-weed-dont-pull-or-stomp-on. With any luck this one will have the tenacity to survive the current drought conditions.
I recently found a cone of white pearl cotton at a local thrift shop. The obvious thing of course was dye experiment. The usual oxalis and onion, woad overdye attempts were lighter than I’d like but sometimes that happens. (Noted the fiber weight and ratio for future attempts or avoidance.)
Then the incident with the Madder.
I’ve always been a sort of no-pastel zone when it comes to clothes or anything that involves color. In particular I dislike pink. So, imagine my surprise at finding a pot full of pink pearl cotton. I even tried longer soaking times – up to a week, adjusted the strength and still pink.
So I have pink yarn. Either it will be dunked in woad at some future or it will be a scarf for someone who does like the color.
Weld plants from June to July. Some Woad in the background. These seem to be surviving the drought weather under tree shade. Last year’s Weld and Woad and actually most of my herb garden didn’t survive the heat wave so this year I’m more focused and picking areas of the yard where they might survive.
For the record, mine are growing these in southern California, USA. Definitely not native to the area. The two pictured have started blooming and not (not in the picture) haven’t taken off yet. But even two plants can be good for dyeing since Weld is one of those wonderful plants where everything from areal parts – from the ground up is used.
“Natural” and the definitions of that word have been on my mind lately. I’m taking my first, bumbling steps at teaching a dye plant workshop and while my description would be “vegetable dyes” everyone seems to be calling it “natural dyes”. And yes, this does involve working with plant based dye materials that occur in nature, I find the term “natural” kind of misleading or at least confusing.
“Natural dyes” seems to imply methods that are safer, non-polluting, better for the environment, etc. As the kids say, Not. Or at least not necessarily. From what I’ve read on the subject it appears that dye work was often a pretty nasty, polluting industry. Supposedly in time of Elizabeth I (England) the dyers had to work some specified distance from town because of the stench. Remember the stale urine for indigo?
Chemical additives – mordants, however “natural” in origin were often poisonous for the dyers and polluted water sources that material was dumped into. Which is not to say one can’t use mordants safely but with the same safety practices and precautions one would use with synthetic dyes.
Aren’t natural dyes safer than synthetic dyes?: Paula E. Burch, Ph.D. ( Her All About Hand Dyeing is an excellent dye resource.) In this (web) article Burch points out that “..Some natural dyes are almost perfectly safe; others are quite toxic. Some synthetic dyes are safe even to eat; others are too toxic to bring into your home. ” Know what you are using and how to use it safely. Respect your materials.
Although I’d like think I know how to handle mordants safely, I do work at home, in my kitchen and don’t live alone (other people, animals) so I prefer not to use anything stronger than Alum (potassium aluminum sulfate) and Tartar. (I used to use Copper and Iron but phased that out a few years ago.) With wool I manage color range by using white, lite, medium and dark sheep gray from Bartlett Yarns. The only other fiber I work with is cotton and I’m trying out using white, brown and green cotton for the range but that is still in the we’ll-see phase.